Written and created by Matthew Pejkovic

Contact: mattsm@mattsmoviereviews.net

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1986
THE MOSQUITO COAST

STARRING:HARRISON FORD,RIVER PHOENIX,HELEN MIRREN,CONRAD ROBERTS,JADRIEN STEELE,ANDRE GREGORY,MARTHA PLIMPTON

BASED ON THE NOVEL BY PAUL THEROUX

SCREENPLAY BY PAUL SCHRADER

PRODUCED BY JEROME HELLMAN

DIRECTED BY PETER WEIR

GENRE:ADVENTURE/DRAMA/THRILLER

RATED:AUSTRALIA:PG/UK:PG/USA:PG

RUNNING TIME:117 MIN

Harrison Ford's consecutive film with director Peter Weir has the popular movie star stretching his acting credentials in a role far removed from his usual screen persona.
Said character is Allie Fox, a highly egotistical yet brilliant inventor who has developed a deep disdain for what his country has become. Paranoid that a new world war is upon them, Allie whisks his adoring family away to the jungles of a third world country, where they will begin their own civilization.
The film is told through the eyes of his son Charlie, who is played by River Phoenix in a breakthrough year for the young actor (Rob Reiner's Stand By Me was also released in 1986). Helen Mirren co-stars as Allie's long suffering yet obedient wife.
The Mosquito Coast can be a distressing and frustrating watch: it is not fun to bear witness to a man going down in the flames of his delusion whilst taking his family along with him.
However, Ford's force of nature portrayal of a highly unappealing yet oddly alluring character driven by ego and madness does make up for some of the films misgivings.
His characters passionate and frantic tirades about the death of the American dream is felt with every fibre of his being, while his verbal clashes against a fervent missionary (Andre Gregory) are delightfully staged.
Besides Ford and Weir, several key crew from Witness have also returned: composer Maurice Jarre; editor Thom Noble; and cinematographer John Seale all do wonderful work here.
The film was shot mainly in the Central American country of Belize, and the novel from which the movie is based on was adapted by Paul Schrader, who brings his impeding sense of doom to the film.

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